1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
— Vonnegut, Kurt Vonnegut, Bagombo Snuff Box: Uncollected Short Fiction (New York: G.P. Putnam’s Sons 1999), 9-10.
Lara Daniels 
So timeless! Thanks for sharing Dear Namesake.
You are most welcome
This is a great list. I’m most curious about number five.
I understand it to be that one should head straight for the story…no talking around it, no unnecessary intros that add no value.
hmmmmn…will keep this facts in mind…wonderful.
thanks for sharing
You are welcome.
sisi Lara, pls whr can i get ur book, lessons in love in lagos nigeria?
Dear Glowing scenes, you can now get Lessons in Love from Okada books. Please kindly spread the word. Thanks.